Friday, February 10, 2012

Caerleon favourites to play at town hall

English: Caerleon Town Hall Category:Pictures ...Image via WikipediaNEWPORT folk group The Dai Bach Band will perform at Caerleon Town Hall next week on Saturday, February 18.

The band are well known to clientele of the Bell Inn for their weekly concerts and for performances throughout the area.

The members of the Dai Bach band have been playing locally for about 30 years but not always under that name.

Marcus Butler, Sue Cleaves, Greville Hunt, Pat and Greg Morgan were originally members of Doed a Ddell, Henry and Lol Lutman were members of Devil’s Elbow and Dave Cox played with Bodhran Bodhran.

Lol also plays her big concert harp at weddings and other events.

Doors will open at 7.30pm for an 8.15pm start.

Tickets are £5 each and family tickets are £15.

They are available from Caerleon Tourist Information Centre, High Street (01633 422656) and Rafi Goldsmith, Ffwrwm Arts & Crafts Centre, Caerleon (01633 430271).

Caerleon favourites to play at town hall (From Barry And District News)

Monday, February 6, 2012

Rodrigo y Gabriela transcend borders, musical styles

Rodrigo y GabrielaCover of Rodrigo y GabrielaReporting from Ixtapa, Mexico ——
Rodrigo Sanchez and Gabriela Quintero came to this beach resort seeking a fresh start after realizing that their Mexico City metal band was a dismal failure.

More than a decade later, Ixtapa is again a haven for them — this time from the rigors of soaring success.

The couple, known as Rodrigo y Gabriela, have lived a story that could have sprouted in Hollywood: The pair swap electric guitars for acoustic ones, move to Ireland to play street corners and develop a distinctive style. Record and movie deals ensue, and a devoted fan base spreads across the ocean. Rodrigo y Gabriela sell more than 1 million albums.

The pair are back and taking a much-wanted breather along the craggy coastline of Ixtapa, where they once strummed covers of Eric Clapton and Carlos Santana songs for hotel guests. In the last year, they've played festivals on both sides of the Atlantic, released a live album and recorded musical scores for two films, the fourth installment of "Pirates of the Caribbean" and "Puss in Boots."

The duo also squeezed in time to record a studio album, "Area 52," with Cuban musicians in Havana. The album, reworking earlier Rodrigo y Gabriela songs to lend a jazzy, Cuban flavor, came out last month in the United States and will be released in Mexico in March.

A new album means a new tour, beginning in Europe this month and then shifting to the United States in early April.

Little wonder that Sanchez chugs raw protein by the quart.

Rodrigo y Gabriela's eclectic style of music, all instrumental, has won fans by mixing heavy metal's breakneck energy with a Latin flavor and percussive use of the guitar that evokes flamenco, but isn't. Sanchez leads with pretty, inventive melodies, often at a pace best described as careening. Quintero provides rhythm, strumming and thumping the guitar so fast that her hand seems at times to vanish.

The couple talked with The Times in their Ixtapa studio, a converted apartment done up with Zen accents and cushions lining a tidy meditation nook. A recording room was set up this day for a YouTube webcast by Sanchez.

Lounging on pillows, Sanchez and Quintero were in a playful mood, cracking up over failed head-banger dreams — "We just realized we were ... terrible," Sanchez says..

The two, both 38, remain unrepentant rockers and bristle at being marketed as a Latin act. The way Quintero sees it, pop culture is increasingly forced into a "Happy Meal little box."

"In the Latin market, there's pop music, there's DJ music, there's rock music, there's banda music," she said. "So what ... is this ... Latin thing?"

Sanchez and Quintero seem to delight in how difficult it is to pigeonhole their style, which carries far-flung influences, from Metallica to flamenco to acoustic duo Strunz & Farah. Quintero has even found inspiration in an Irish drum known as a bodhran.

To a rock crowd, 90 minutes of live acoustic guitar might sound like a snooze. But Rodrigo y Gabriela keep up a headlong pace, with Sanchez assuming an open-legged stance modeled after that of his metal idol, Metallica's James Hetfield. During solos, Sanchez impishly teases the crowd by throwing in the briefest samples of rock classics (at a December show in Mexico City, it was the opening notes of Guns N' Roses' "Sweet Child O' Mine").

Some have suggested metal acoustic to describe their sound. Sanchez proposes acoustic rock. "With a super-loud PA," Quintero blurts. She doesn't want them to come off like a soft-rock act.

Some critics have dismissed Rodrigo y Gabriela's music as less virtuosity than gimmicky sleight of hand. But as audiences have swelled, admirers say it works, no matter the label.

"It's not flamenco. It's not pure heavy metal. You don't know quite what it is, but it's really catchy," said music producer Peter Asher, who worked with the pair on "Pirates of the Caribbean: On Stranger Tides" and "Area 52." "They make really great melodies and play them in this special style."

Rodrigo y Gabriela transcend borders, musical styles -

Friday, February 3, 2012

Davey Gunn, Bodhran Maker

A 2 month old goat kid in a field of capeweedImage via Wikipedia
GOATS are hard to come by these days, and bodhráns are becoming very popular with aspiring young musicians. Which all goes to make things a little difficult for Davey Gunn, the bodhrán-maker from Trieneragh, Duagh, Listowel.

Davey, who began his unusual trade over 25 years ago, estimates that he makes between 40 and 50 bodhráns every year. And as goat skin is the ideal material for a bodhrán the scarcity of goats is a bit inconvenient. Nevertheless, Davey is very pleased about the growing interest in the bodhrán.

Davey's home in Trieneragh has become something of a meeting place for musicians and his wife Mamie always obiliges the visitors with a few tunes on the accordion.

Among the many signatures Davey has in his record of visitors to the house are those of Ciarán Macmathúna and Tommy Makem, plus many other Irish and International musicians.

Davey learned how to make the instrument from watching a friend of his wife, a Mr. O'mahoney, from Ballylongford. "He was the first person I saw making them. He used to make them for the wren," he explained.

The biggest part of making a bodhrán is curing the goat skin and this takes nine days.

"They're not that hard to make," he said modestly, "but I have to get the goats and kill them myself."

Lifestyle -